Unintelligent Design
An hour a day,
sometimes more,
I chipped away
with mallet and chisel
on a block of marble
I found in Carrara
and shipped to New York
on the deck of a trawler.
I offered the marble
to a famous sculptor
who told me he works
in granite only
so I grabbed his beret
and one of his smocks
and said I'd sculpt
the block myself
with whittling skills
picked up as a kid
from a drunken uncle
named Whittling Sid.
Several weeks later,
to my surprise,
I finished the bust
of a chimpanzee
simply by wielding
mallet and chisel
the way I wield
pencil and eraser
when hewing a poem.
Working with marble
or working with words,
a sculptor or poet
proves less is more
by chipping away
until something emerges
upright and walking
with a soul of its own.
BIOGRAPHY: Donal Mahoney has worked as an editor for The Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. He has had poems published in The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, Commonweal, The Christian Science Monitor and a number of online publications.
